In this article, we will discuss the topics like “The Rescue Movie” and Everything you need to know about this documentary film. Therefore, if this is something that piques your curiosity, stick with us.
About The Movie
Elizabeth Chai Vasarhelyi and Jimmy Chin are the directors and producers of the upcoming documentary film The Rescue, which will be released in 2021. The expedition comes in the wake of the Tham Luang cave rescue, which took place in 2018 and involved the extraction of a youth football team from an underground cave.
The film premiered at the 48th Telluride Film Festival on September 2, 2021. The film’s theatrical debut in the United States occurred on October 8, 2021.
What’s This Story Is All About?
The story of the Tham Luang cave rescue is told throughout the film.
Production of The Rescue Movie
National Geographic Documentary Films will produce Kevin Macdonald’s documentary about the Tham Luang Cave rescue mission. Elizabeth Chai Vasarhelyi and Jimmy Chin will replace Macdonald as directors in 2021, but he will remain executive producer.
The filmmakers had a hard time acquiring the rights to the tale, since National Geographic was able to gain the rights to the diversified story and Netflix had bought the rights to the experiences of the soccer team, which prevented the filmmakers from telling the story of the soccer team in the film.
Release of The Rescue Movie
The film premiered at the 48th Telluride Film Festival on September 2, 2021. On September 12, 2021, it won the People’s Choice Award in Documentaries at the Toronto International Film Festival.
Greenwich Entertainment is going to be in charge of the movie’s distribution in the United States.
Reception Of The Rescue Movie
The movie grossed a total of $69,669 in its first weekend of release from five different cinemas.
Rotten Tomatoes, a website that compiles and aggregates user reviews, reports that 86 out of 91 reviewers (96%) thought the movie was good, giving it an average rating of 8.4 out of 10. Metacritic’s weighted average score of 86 out of 100 indicates “universal acclaim”
As with Chin and Vasarhelyi’s previous films, ignore any instinct you may have to pass up this movie because it sounds too hyper-specific: an activity you’re not really that interested in, and a story whose ending you’ve already heard. As with Chin and Vasarhelyi’s prior works, ignore any temptation to pass up this movie because it sounds boring. Simran Hans of The Observer called it a “hugely engaging documentary” and said that “Vasarhelyi and Chin reproduce the sense of the clock running out as oxygen levels in the cave diminish, while the rain rages outside.” Kevin Maher of The Times gave this picture four out of five stars, saying “the filmmakers extract nerve-jangling tension from a foregone result.”
John Lui of The Straits Times gave the film four out of five stars, saying, “By carefully outlining everything that may go wrong while carrying 13 non-divers across 4 km of tortuous, submerged channels, the professionals conjure a sense of dread that would make a horror film-maker pleased.” The film received a rating of three out of five stars from Leslie Felperin of The Guardian, who stated in her review that “Not only is the story compelling, but thanks to how much the event captured the interest of the world’s media, there is a lot of archive footage to splice in among the generous wodges of talking-heads narration from the main participants.” Felperin added, “The story is compelling, and the event captured the world’s attention.” She called the final song “cheesy” and asked why rescued kids weren’t interviewed.
The film received a rating of 2.5 out of 4 stars from the reviewer Roxana Hadadi of RogerEbert.com. She was more critical of the movie. Because Vasarhelyi and Chin couldn’t talk to the boys or their families, she said “The Rescue” felt like only half a story, despite being well-told. Cassie Da Costa of Vanity Fair calls the film “plodding” She continues, “I couldn’t shake the feeling of watching a network TV documentary, designed to feed the audience with detail after detail, but not to generate any significant ideas from the facts and images it contains.”
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