The strange thing about supernatural films is that. Despite always having the most occult knowledge, black characters are rarely the ones that practice it. Think about Don Cheadle in “The Family Man,” Whoopi Goldberg in “Ghost,” Will Smith in “The Legend of Bagger Vance,” etc. All of them are friendly with the supernatural, but they solely serve as mentors for Demi Moore, Matt Damon, Nicolas Cage, and others. They are always the message’s conduit but never its source.
The Family Man Movie Release Date
On December 22, 2000, Universal Pictures released The Family Man in theatres around the country. Contrary to its $60 million budget, the movie made over $124.7 million worldwide while receiving mixed reviews from critics. It received a nomination for Best Fantasy Film at the 27th Saturn Awards, where Leoni took up the Best Actress trophy.
Cast of The Family Man Movie
- Nicolas Cage as Jack Campbell
- Téa Leoni as Kate Reynolds / Kate Campbell
- Don Cheadle as Cash
- Makenzie Vega as Annie Campbell
- Jake and Ryan Milkovich as Josh Campbell
- Jeremy Piven as Arnie
- Lisa Thornhill as Evelyn Thompson
- Saul Rubinek as Alan Mintz
- Josef Sommer as Peter Lassiter
- Harve Presnell as Ed Reynolds
- Mary Beth Hurt as Adelle
- Francine York as Lorraine Reynolds
- Amber Valletta as Paula
- Ken Leung as Sam Wong
- Kate Walsh as Jeannie
- Gianni Russo as Nick
- Tom McGowan as Bill
- Joel McKinnon Miller as Tommy
- Robert Downey Sr. as Man in the house
Plot of The Family Man Movie
Cage portrays Jack Campbell, a businessman whose life is controlled by his profession, in “The Family Man.” He has no apparent personal life, works on Christmas Eve, and does not even bother to call back Kate Reynolds, his ex-college sweetheart (Tea Leoni). We learn that Jack left for a year in London in 1987, despite Kate’s pleading with him to stay. She was correct in her concern that they would never get married if he departed.
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Now, Jack goes to bed as a wealthy single and wakes in a parallel time-track where allegedly he did fly back from London, marry Kate, and had two children thanks to the ghostly interference of a cab driver (Cheadle) who serves as his advisor, or gateway, or some such. Additionally, he now owns a dog, which is drooling all over him.
His gradual understanding that his previous life has vanished, that he is now a loving father and that he has been given the chance to experience everything he missed by putting his work before personal objectives form the core of the film. In films like these, I frequently ponder why the protagonist has been transported into an alternate existence but has kept his or her prior memories. Of course, if he had alternate memories, he or she wouldn’t even be aware of what has occurred.
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Tea Leoni (“Deep Impact,” “Flirting With Disaster“) does a fantastic job of hiding the inevitable times when the woman must (we believe) understand that a stranger is living in her husband’s body. She is endearing in the role of the wife. As Jack learns that he is a tire salesperson for his father-in-law and tries to negotiate his way back into the big bucks in Manhattan, the plot takes a comedic turn.
Review of The Family Man Movie
Although Jack may learn to accept his inability to pay for the most expensive pig medallions in Manhattan restaurants, the film never depicts him enjoying or appreciating a home-cooked dinner. He accepts life without his $2400 Zegna outfits, but he never considers the possibility that a $25 sweater could truly be cozy and fashionable. He might or might not be ready to spend his final years away from the Wall Street glass towers, but there is never any hint that working as a tire salesman is anything other than a living death.
How to deal with the family in an alternate reality after the supernatural visitor has learned his lesson is one issue with the underlying plot. With genuine interaction between the two heroines, “Me Myself I” addressed that issue successfully. There isn’t a decent conclusion in “The Family Man”; it’s not necessary, but it would have been lovely. The film is cute and enjoyable, however, it could have been better.
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But originally, Abraham wasn’t sure about Ratner. In the interim, Hanson walked away from the endeavor to helm Wonder Boys. Apparently, Abraham “Simply put, the movie didn’t seem to be his style. But after becoming acquainted with him over the course of the year that he stalked me, I ultimately concluded that he might be the appropriate candidate for the position. He added something incredibly fresh and lively to the subject “. After Rush Hour’s popularity, Ratner was formally hired as the film’s director.
