Ocean’s Eleven Cast, Plot, Release Date and Much More
Ocean’s Eleven, a serious-looking heist film with lighthearted undertones, pulls off its great robbery with a cast that includes George Clooney, Brad Pitt, Julia Roberts, Matt Damon, Don Cheadle, and Andy Garcia.
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It’s a movie, so don’t take it too seriously. However, there are times when it seems so lighthearted that the suspense lies more in seeing how the writer and director will escape narrative snares than in how a group of burglars will rob Las Vegas casinos.
Release Date of Ocean’s Eleven
Warner Bros. Pictures distributed Ocean’s Eleven to theatres in the US on December 7, 2001. The movie was a box office success, earning $450.7 million globally and ranking as the fifth-highest-grossing movie of 2001. It also garnered favorable reviews from reviewers. Ocean’s Twelve (2004) and Ocean’s Thirteen (2007) are two sequels that Soderbergh directed. In 2018, the offshoot of Ocean’s 8 with an all-female main cast was launched.
Ocean’s Eleven Cast
- Danny Ocean, played by George Clooney, is an ex-con who organizes a heist.
- As the disgraced croupier and con artist Frank Catton, played by Bernie Mac
- Brad Pitt plays Robert “Rusty” Ryan, Danny’s accomplice in crime, while
- Elliott Gould plays Reuben Tishkoff, Danny’s wealthy pal and a former casino owner.
- talented mechanic Virgil Malloy, played by Casey Affleck
- Turk Malloy, played by Scott Caan, is Virgil’s brother and a talented mechanic.
- Gary Jemison plays Livingston Dell, an expert in electronics and surveillance,
- Don Cheadle plays Basher Tarr, a specialist in explosives, and
- Qin Shaobo plays “The Amazing” Yen, an acrobat.
- Carl Reiner plays Saul Bloom, an aging con artist.
- Linus Caldwell, a pickpocket who helps Danny, is played by Matt Damon.
Ocean’s Eleven Plot
The movie stars George Clooney playing Danny Ocean, a recently released prisoner who is anxious for a new career and who is capable of being extremely emotionless better than virtually anyone. His parole board noted that he is a polished operator who was involved in a dozen investigations but was never charged. He gets in touch with his former sidekick Rusty Ryan (Brad Pitt) and tells him about his plan to steal millions from three different Las Vegas casinos. Amazingly, the film includes the demolition of the Desert Inn and is set at and shot at real casinos (the Mirage, the MGM Grand, and the Bellagio).
Rusty is on the job when he spots the casino owner (Andy Garcia) with Tess Ocean (Julia Roberts), ex-wife of Danny. Tell me it’s not about her, Danny,” Rusty begs. Naturally, it is. Ocean wants to rob his ex-current wife’s partner in order to get her back. They put together a group that included Casey Affleck, Matt Damon, and Don Cheadle. Although I neglected to count even throughout a lengthy tracking shot, I guess there are 11 in total.
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Long-established tropes of a caper film include the terrifying exterior view of the uncrackable targets, the insider knowledge, the voice-over as we watch the guards go about their duties, and the plot with the divided timing. The powerful room used by the three casinos is also depicted in “Ocean’s Eleven” in an intricate full-scale mock-up, raising the following pertinent issues: (1) Exactly why does it need to be so extensive? (2) What was the price? (3) Who hired it for them, or did they put it together quickly on their own? The dialogue delivery in the film is excellent. The vocabulary in Ted Griffin’s screenplay is exquisitely used and sounds like a combination between Noel Coward and a noir thriller from the 1940s.
Ocean’s Eleven Review
When Brad Pitt’s character is briefing Matt Damon, he gets a wonderful dialogue passage as well. When you listen to the music instead of the words, you’ll discover that the jargon, which is totally in order to achieve the strategy, is a spoof on Hamlet’s directions to the players.
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The details in “Ocean’s Eleven” isn’t exactly cutting edge in terms of cinematic capers. I can think of several more cleverly thought-out schemes, most notably in “The Score,” but this is a movie about suavity, not suspense. Garcia is as slick, well-groomed, polished, and tailored as George Raft, and the film thankfully finishes without a gunfight in favor of a convoluted plot sophistication. Clooney and Roberts purposefully emulate the elegance of actors like Cary Grant and Ingrid Bergman. I liked it. I wasn’t really invested and it didn’t really shake me up, but I enjoyed it as a five-finger activity. It’s now appropriate for Soderbergh to resume his work.
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